Brett, Guy. “Time Being,” in The Crossing of Innumerable Paths: Essays on Art, Ridinghouse, London, 2019 [to read click here]

Campbell, James D. “Drawing on Syncope: The Performativity of Rapture in the Art of Monika Weiss,” in Monika Weiss: Five Rivers, Lehman College Art Gallery, City University of New York and Galerie Samuel Lallouz, Montréal, 2007 [to read click here]

Carl, Katherine, Monika Weiss: Drawing Cosmos, Kentler International Drawing Space, Brooklyn, New York, 2005 [to read click here]

Domanowska, Eulalia. “A Spiritual Feminism,” in Monika Weiss. Nirbhaya,  Centre of Polish Sculpture in Orońsko, 2021 [to read click here]

Falęcka, Katarzyna. “Monika Weiss - Biography,” in Monika Weiss. Nirbhaya, Centre of Polish Sculpture in Orońsko, 2021 [to read click here]

Gola, Izabela. Monika Weiss’ Lament as an Act of Protest by at Polish Cultural Institute New York, 2023 [to read click here]

Gravenor, Vanessa. “Monika Weiss’ Two Laments,” in n. paradoxa: international feminist art journal, Volume 37, 01/2016, SOUND? NOISE! VOICE!, KT Press, London, 2016 [to read click here]

Heflin, Anna. If My Skin Turned to Bark. Monika Weiss’ Metamorphosis/Dafne (Nirbhaya), in Which Sinfonia / New Music, New York, 2022 [to read click here]

Herzberg, Julia P. “Monika Weiss 's Language of Lament: History, Memory, and the Body,” in in RECALL: Roland Schefferski - Z Życia Europejczyków. Monika Weiss - Całuny, Muzeum Ziemi Lubuskiej and Galeria BWA in Zielona Góra, 2014 [to read click here]

Hirsch, Marianne. “Monika Weiss’ Nirbhaya,” in Panel 5: Nirbhaya - Monuments & Memory, part of the international symposium Monument|Anti-Monument, CEL Centre for Architecture + Design, St. Louis [to read click here]

Kozłowski, Wojciech. "...It is with the wreckage and rags that one should intend to write History... (Nicolas Bourriaud),” in RECALL: Roland Schefferski - Z Życia Europejczyków. Monika Weiss - Całuny, Muzeum Ziemi Lubuskiej and Galeria BWA in Zielona Góra, 2014 [to read click here]

Lubomirska, Elżbieta. Monika Weiss-Nirbhaya, in Subiektywne Rozmowy o Sztuce, 2021 [to read click here]

Minioudaki, Kalliopi. “Nirbhaya(s)’s Double Lament in Unforgetting and Protest,” in Monika Weiss. Nirbhaya,, Centre of Polish Sculpture in Orońsko, 2021 [to read click here]

Minioudaki, Kalliopi. “Monika Weiss - Wrath (Canto 1, Canto 2, Canto 3),” in Fireflies in the Night Take Wing: Video Art Survey, Stavros Niarchos Foundation, Athens, 2016 [to read click here]

McDonald, Mark. “Drawing Consciousness: Monika Weiss”, in Monika Weiss. Nirbhaya, Centre of Polish Sculpture in Orońsko, 2021 [to read click hereE]

Oakes, Julie. “Monika Weiss,” in WWW.Women, Headbones Gallery, The Drawers, Toronto, 2008 [to read click here]

Platt, Verity. How a woman becomes a tree…, in Panel 2: Nirbhaya - Film, Sound, Water and Lament, part of the international symposium Monument|Anti-Monument, CEL Centre for Architecture + Design, St. Louis, 2021 [to read click here]

Pollock, Griselda. “The Fidelity of Memory in an Endless Lament. Nirbhaya, New Delhi, 2012, and Now…,” in Monika Weiss. Nirbhaya, Centre of Polish Sculpture in Orońsko, 2021 [to read click here]

Quasha, George. “Conceiving Body. Remarks on the side/Elytron (spirit and body are only two wings),” in Monika Weiss-Vessels, Chelsea Art Museum, New York, 2004 [to read clickhere]

Spector, Buzz. “Monika Weiss: Body of Drawing,” in Monika Weiss. Nirbhaya, Centre of Polish Sculpture in Orońsko, 2021 [to read click here]

Szyłak, Aneta. “Your trap shall be your shelter: The hidden desires and public appearances of Monika Weiss,” in Monika Weiss: Five Rivers, Lehman College Art Gallery, City University of New York and Galerie Samuel Lallouz, Montréal, 2007 [to read click here]

Valdés, Adriana. “Lamentation and the Locus of Memory: Monika Weiss’s Sustenazo (Lament II),” in Monika Weiss: Sustenazo (Lament II),translated from Spanish by N. Davidson, Museum of Memory and Human Rights, Santiago, Chile, 2012 [to read click here]

Walker, Julia A. “What Does It Mean to be Fearless? Three Reflections on Nirbhaya,” in Panel 4: The Architecture of Memory, Gender & Intersectionality, part of the international symposium Monument|Anti-Monument, CEL Centre for Architecture + Design, St. Louis, 2021 [to read click here]